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Jože Plečnik's last great contribution to the city transformed the abandoned monastery into an open-air theatre and festival space. The complex's original Gothic details were gradually subsumed by Renaissance and Baroque elements, as can be clearly seen in the main courtyard which features shallow archways and exuberantly-coloured graffiti. The amphitheatre-like southern courtyard with its vast retractable canopy has since proved to be a superb venue for classical, jazz and rock concerts. | Jože Plečnik's last great contribution to the city transformed the abandoned monastery into an open-air theatre and festival space. The complex's original Gothic details were gradually subsumed by Renaissance and Baroque elements, as can be clearly seen in the main courtyard which features shallow archways and exuberantly-coloured graffiti. The amphitheatre-like southern courtyard with its vast retractable canopy has since proved to be a superb venue for classical, jazz and rock concerts. | ||
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[[Category:Theatre venues]] | [[Category:Theatre venues]] |
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Križanke continued to serve as a monastery until 1945, when the complex was nationalised. In 1952 representatives of the city of Ljubljana asked architect Jože Plečnik to remodel the now derelict monastery into a venue for Ljubljana Festival.
Jože Plečnik's last great contribution to the city transformed the abandoned monastery into an open-air theatre and festival space. The complex's original Gothic details were gradually subsumed by Renaissance and Baroque elements, as can be clearly seen in the main courtyard which features shallow archways and exuberantly-coloured graffiti. The amphitheatre-like southern courtyard with its vast retractable canopy has since proved to be a superb venue for classical, jazz and rock concerts.
Culture.si offers information on Slovene cultural producers, venues, festivals and support services, all in one place. It encourages international cultural exchange in the fields of arts, culture and heritage. The portal and its content is owned and funded by the Ministry of Culture, funded by the European Union Recovery and Resilience Plan and developed by Ljudmila Art and Science Laboratory.